Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
1st Release from the New Album Project: 7/15/25
BIONIC 2; Same Track, Just Deux, is the Sequel to the Origin Track "Bionic"; Featuring a Robotic Duo, hence the "Sometimes It Takes Two" promotional tagline, with a "robot" that sounds an awful like Optimus Prime. Produced (as always) by Jack Synister, BIONIC2 features Myra Ghetzhauf's first generation vocals, as her vocal training and strength increases with each mission/ project. BIONIC2 is a stand-alone filler, decontained as an intermittent/ promotional track, while we impatiently wait on the album/ singles to clear the proverbial red tape for legal release, and *will not be featured on the upcoming album.
Audio Produced for Seven Sense Intl. for Promotional and instore use.
A Jack Synister Music video Produced by Seven Sense Intl. in association with Sleeping Pilot Films. Directed by Me.
Featuring Blind Fury.
For the record, I'm Jack Synister,
former rapper, producer, and mashup DJ (under the alias Myra Ghetzhauf, an autonomous robot (voice) behind a cult trilogy of CD mixtapes). I'm a lifelong creator with roots in late-’80s DJ culture, Florida bass, and underground mixtapes. I was raised on The Fat Boys, 2 Live Crew, Magic Mike, Mc ADE, NWA, Eazy E, Public Enemy, Rakim, and The Beastie Boys;
Then later mentored by the RZA, Wu Tang Clan, Method Man, ODB, Ludacris, and The Prodigy; in between I rocked with Kwame, LOTUG, Onyx, and KMD; with one of my favorite artist actually being the composer, John Williams.
My current medium fuses old-school breakbeat aesthetics, static samples, and booming low-end frequencies, with a modern trap-bass edge—often laced with humor, nostalgia, and or a little weirdness. Most often accompanied by AI artist Myra Ghetzhauf.
"...A lot of old tropes to create something new".
Following a decade plus hiatus from music due to creative burnout, vocal loss, and life generally getting in the way, I'm back? lol, not for fame or money, but just for the love of the beat, and because I'm not hearing what I always like listening to the the most.
I always preferred being behinds the scenes, I enjoy the creative process and producing a final product than "performing".
I hope you play it loud, escape with the vibe, and maybe rave about it to your friends. “It might be the last thing I ever do—or the beginning of something totally new”. In the meanwhile I just want you to enjoy the rattle of the windows, as I hope my efforts make your world a better place,
3 minutes at a time.
*Schizodigital: an interdimensional being that communicates in wavelengths and transitions between them.
Literally: Before AI was ever even imagined, Myra Ghetzhauf made underground history in 2011, as "the first autonomous Bass Dropping DJ", debuting with the now cult-classic mixtape series: There Is No DJ (Quite Like Her), I Go Harder, and Finale Trice; Created by visionary artist and producer Jack Synister, Myra became a boundary-pushing symbol fusing trap beats, dubstep remixes, and incredible mashups.
Now, in 2025, with the aid of AI, Myra has been reborn and given actual voices! Along with all new, original production, a consistent thread of imagery and origin story, Ghetzhauf is officially back and going harder than ever!
Rebuilt. Rebooted. and Ready to Rock the block.
To address the inherit opinions that “AI is fake,” “AI is cheating,” or “AI isn’t creating.” This response obviously isn’t for everyone, but for those who will inevitably criticize me or anyone else for using AI-generated vocals or tools in music production.
So let's make one thing undeniably clear:
My creativity isn’t artificial.
The ideas, lyrics, concepts, and long nights of production — none of that came from a bot. The hours, let alone years, I’ve spent making beats, chopping loops, mixing, remixing — that’s me. That’s work. That’s real.
Yes, AI is a tool in use — just like CGI became a tool in film. And while some people once called CGI an insult to “true cinema,” no one’s saying that now.
Cameras were once an abomination to illustrators. VHS was once touted as the death of cinema. Cassettes killed vinyl, as CD's killed cassettes, as streaming killed physical media, yet the mediums themselves are flourishing far more than ever! Technology evolves. So does art. Artists of all manner, education or financial resources. And AI most certainly isn’t going anywhere.
So, take the reigns, or get the hoof.
There’s a huge difference between someone lazily typing a prompt and slapping their name on the result of prgramming, versus someone using AI as part of a broader creative vision — crafting, directing, refining, and producing. The same way a film director uses the skills of editors, set designers, and cinematographers to realize a final vision, I use modern tools — including AI — to bring mine to life.
And let’s not forget:
If you’re using a calculator, that’s AI. If you apply a filter to a photo, that’s AI.
If you ever played a video game? owned a cell phone? used Social Media?
All forms of AI.
Yet somehow when it’s applied to music or art, it suddenly becomes “inauthentic?”
Yes, AI can be abused; Plagiarism isn’t new — people have been posers long before machines could talk. But using AI responsibly, transparently, and creatively doesn’t negate the artist’s work. In any case, it allows artists to create in ways never before possible, and personally, enhances what I can’t physically do anymore. That’s not cheating — that’s adapting.
Anyone can type a prompt, but not everyone can create, to push the limits of what's possible.
If someone hears a track I made, plays it loud, tells a friend about it, or shows up to hear it live — I’ve done my job. If it moves people, connects people, or simply sounds good… then the tools used to get there don’t invalidate the art.
We don’t shame photographers for using better cameras, or painters for using newer brushes. We shouldn’t shame musicians for evolving either.
Because at the end of the day, it’s not about how the art is made.
It’s about what it makes you feel.
To the noise that would fault me for making this choice.
Here’s my truth:
The ideas, the lyrics, the beats, the mixing, the structure — that’s all me.
I produce using a wide range of samples, loops, and layering techniques.
I build tracks from the ground up. I spend hours — often times days, sometimes weeks — pulling it all together. And yes, I use AI to generate the vocals.
But not as a shortcut — as a lifeline.
I lost the voice I used to have. Quite literally. I can’t perform anymore. I can barely speak at times. I haven’t had a moment to myself in years, and just don’t have the time or means to collaborate the way I’d like too. This project — seemingly random, intentionally glitchy, yet tactically methodical — gave me something I’d been missing for a long time:
a creative outlet, a second chance at a past life.
I've made a careers from both creating original hip hop music from samples, and from simply mixing & remixing (other artists) music that already existed.
So in many ways this more original than any of past works, regardless of my schizodigital compatriot. I'm working with the same character, influenced by an actual person, that I created in the early 2000's to represent the same concept now, only with original production, lyrics, and actual vocals. Using AI to bring those vocals to life is not about deception — it’s about execution. Concept and cinematic presentation.
These are songs I wrote 2, 10, 20 years ago. For the first time in decades, I can finally, as well as create new media, and do things that I, nor any human could ever before, I'm pushing the envelopes of technology, to level up the creativity in ways that have not been done before.
As for the the rough edges, the bloopers, the imperfections you might discover? — I leave them in on purpose. Not just for nostalgia; it’s a callback to my analog roots. To the mixtapes and sample-driven productions that embraced imperfection.
That’s the vibe I grew up on. That’s the era I’m honoring.
This isn’t mass-manufactured content. It’s not a copy-paste content move.
It’s something I work on when I can — between life’s chaos — for the simple joy of making music again.
So if you enjoy it, thank you. If it moves you, that means everything.
And if you’re quick to write it off because I used a tool to help me finish what I couldn’t do on my own — maybe you’re missing the point of what art really is.
Because creativity doesn’t always look like it used to.
But still matters just as much. Especially to me.